Color 2026

The Famous Tannery in Fez / La famosa curtiduría de Fez

Captured in Bali, this portrait reveals the enchanting spirit of Balines Dance. framed by intricate golden ornaments and vibrant flowers, the dancer’s gaze tells a story of grace, mystery and centuries-old tradition. In a single moment, this image unites beauty, strength, and cultural heritage – inviting the viewer to look beyond the costume and discover the soul of the performance.

The trees gather, their orange leaves a common mantle, harmonious, a conversation of tangled leaves and steady trunks. The Gathering a photographic reflection on the sustained and deep-rooted communication among the trees.

Tourists gather on Rome’s historic Spanish Steps to take in views of the city. The symmetry of the multi-colored balloons was hard to ignore.

Arch, Wall, and Sky / Arco, muro y cielo

A narrow, shadowed alleyway in the old quarters of Shanghai draws the viewer inward, its worn walls and dim light evoking a sense of history and quiet solitude. The passage feels enclosed, almost timeless, until it gradually opens toward a burst of color and light at the far end. This contrast transforms the scene into a visual journey, moving from darkness into vibrancy, symbolizing transition, resilience, and the promise of discovery within the city’s evolving cultural landscape.

The Blue Road is unexpected and draws attention, counter intuitively, to the sombre palette of nature, and the sky colouring up at sunset. It speaks a narrative, suggests an unexplained journey and an uncertain destination.

The series was designed around complimentary colors like blue and orange in this picture. The series explores constructed environments and demonstrates how photography can change space designed for commerce and entertainment into multi-layered, philosophically driven art.

“Whoever fears standing before God will have two gardens.” The verse is painted across the wall in green. It is the color of gardens, of paradise, of what is promised. A girl passes without looking. She knows it by heart. Shot on 35mm film, Cairo, Egypt.

Portrait of a Yellow-vented bulbul (Pycnonotus goiavier) perched on branch of Acacia tree against rainbow colored, creamy, bokeh background. Captured at Santiburi botanical garden in Thailand on 3 Jun 2014

I couldn’t help thinking of American painter Edward Hopper while passing this colorful cafe in Bath.

This photograph aims to capture the beauty, sensuality, and characteristic strength of Spanish women through the use of the color red—so intense and powerful—as the central element. The carnation, the quintessential Spanish flower, evokes the culture and traditions of this country, while depicting a young woman who is delicate yet full of a strength that comes across without her even needing to look directly at the viewer. / Esta fotografía quiere reflejar la belleza, sensualidad y la fuerza característica de la mujer española a través del uso del color rojo, tan potente y poderoso, como protagonista. El clavel, la flor española por excelencia, hace referencia a la cultura y tradición de este país a la vez que se muestra una mujer joven, delicada pero a la vez llena de una fuerza que se transmite sin necesidad de de dirigir la mirada al espectador

He was putting up his graffiti at the Leake St Tunnel in London.I was mesmerized and waited until I got the shadow of his spray can on the wall.

White-spectacled Bulbul (Pycnonotus xanthopygos) peaking through the elegant curly twigs of a growing acacia tree. Captured at Al Bustan village in Muscat, Sultanate of Oman on 1 Mar 2014

A rug decorates and protects a corner on a street in Chefchaouen / Una jarapa adorna y protege un chaflan en una calle de Chezchaouen

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Woman selling flowers in La Plaza de las Flores in Cuenca, Ecuador.

The series was designed around complimentary colors like blue and orange in this picture. The series explores constructed environments and demonstrates how photography can change spaces designed for commerce and entertainment into multi-layered, philosophically driven art.

In this composition, the synthetic compression of the digital vacuum reaches a breaking point. The stark, clinical overexposure no longer just isolates the artifacts—it actively suffocates them. By trapping these elements in cheap, impermeable membranes, the image serves as a powerful visual autopsy of the transition to a screen-mediated world. The tactile warmth of a lived life is tightly packed, sealed away, and left to suffocate in the cold glare of an unfeeling archive. Colors are the main media in this work to translate the change.

At dusk, the Tuaregs play their instruments and dance around the fire / Al anochecer los tuaregs tocan sus instrumentos y bailan alrededor del fuego

End of Broadcast is an interactive installation by D. Iregui, which reflects our resistance to disconnecting from digital media and mobile devices. When the participants touch the big screen they activate the tuning of a television channel that broadcasts fragments that react to the movements of the hands. Children and families enjoy this new form of culture together with a message.

Women sitting outside a restaurant in León, Spain.

An icm photograph of a wave.I heard a song.

Moving strobe lights, darkness and a cacophony of colour and motion at the Powwow in Indio (California). Abstracts of colour, motion and moments of stillness. A colour spectacle. Colour as movement; movement as colour.

At the start of the day, a vendor sets up her stall at a bazaar in Chefchaouen. / Al comenzar el día una vendedora prepara su puesto en un Bazar de Chezchaouen.

I took pictures in an old abandoned school and this was the kitchen behind the cafeteria.

The masks on the balloon are pure fiction. They have contours, a face, a hint of presence, but beneath this appearance is only air. Artificial intelligence is the same: it can speak, respond, simulate thought, but often remains merely a shell of meaning, seemingly alive without truly being so.

Wandering aimlessly on the beach around sunset, the sand and water at play while the tide is rising. Bliss

A landscape colour palette is taken-for-granted. Inverting colour draws our attention to such assumptions and also reminds us that landscape is invented through our gaze.

Fruit market in Fez at sunset / Mercado de fruta en Fez, al atardecer

A night scene shaped by mist and layered urban lighting, where a soft green signal contrasts against warm street glows and diffused white illumination. Color defines structure and atmosphere, guiding the eye through a quiet, atmospheric city space.